Johann Gottfried Schadow is only in his early twenties when he is put in charge of the royal sculptor's workshop in Prussia's capital Berlin. He is supported in this position above all by the fair ladies.

A rather regular state official, who works at the building authority, becomes a puppet of a few super rich. They want to make quite a lot of profit from a planned large-scale building project. Quicker than anticipated, the father-to-be gets surprised by a couple of amenities and notices that life isn’t too bad in the sphere of these semi-legal affairs. Soon, however, he has a prosecuting attorney on his tails and has to decide himself for a side.

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Burgundian warrior Hagen of Tronje holds the crisis-ridden kingdom together through his dedication and unyielding harshness. In doing so, he suppresses his adoration of the king’s daughter Kriemhild and represses his own dark past. When the legendary dragon-slayer Siegfried of Xanten appears in Worms and recklessly threatens the established order, Hagen becomes more and more of a tragic figure. Young King Gunther, still reeling from the sudden death of his father, believes Siegfried can help him save the kingdom and win him the affection of the Valkyrie Brunhild. When Kriemhild falls in love with none other than Siegfried — Hagen’s adversary — the latter must choose between love and loyalty to the king.

Driven by childlike curiosity and the desire to get to know his new German home better, 9-year-old Hamid has made it his business to observe his surroundings with his binoculars and to document the actions of other people in his neighborhood. When one day a homeless woman comes into his field of vision, he realizes that the time has come for him to leave his observation post on his balcony at home.

In a remote village in Xinjiang, the Tajik people face a quiet crisis: the loss of their language. The older generation speaks in the ancient Tajik language using the Uyghur script, while the younger generation, influenced by government policies, speaks Mandarin and reads Chinese characters. This linguistic divide has created an invisible barrier between them, making communication between grandparents and children difficult. 　　Through the filmmaker’s intimate journey in the village, the film explores the emotional distance that words can’t bridge. As the villagers navigate their daily lives—through rituals, songs, and silent gestures—a deep, unspoken bond emerges, transcending the limits of language. The film is a poetic meditation on the power of human connection in the face of cultural and linguistic loss.